![]() Fischer argues that the widespread appeal of Iranian cinema is based in a poetics that speaks not only to Iran’s domestic cultural politics but also to the more general ethical dilemmas of a world simultaneously torn apart and pushed together. Combining his extensive ethnographic experience in Iran and his broad command of critical theory, Michael M. Over the past decade Iranian films have received enormous international attention, garnering both critical praise and popular success. Labor and Working-Class History Association.Association for Middle East Women's Studies. ![]() Author Resources from University Presses.Permissions Information for Journal Authors.Journals fulfilled by DUP Journal Services. ![]()
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